Commentary or Contempt?
My mother called me Friday afternoon outraged. The cartoon to the left had run in Friday’s Florida Times Union, the local paper in Jacksonville, FL (my hometown). She had to describe it at first, as I did not have the cartoon at hand. But in her description all I heard was stinging social commentary.
Point: Moms insisted the author does not matter. The use of that word was inappropriate even if it can be distinguished from Imus in that a black person is saying it to another black person.
Counterpoint: If Aaron McGruder had run this as a Boondocks strip, I don’t think there would have been a problem. Even here at YBP we’ve discussed the negative influences some of the words and images in rap and hip-hop perpetuate, albeit without using those words. The fact that “ho” was used between two black people is not lost on me. I think it highlights the dichotomous position we sometimes take that certain things are ok “with family,” but not otherwise. I also think it echoes the “stand by your gangsta”-mentality a video with a gaggle of scantily clad women swarming a “soldier” (who may or may not be describing his conquests, drug deals or violent beefs) invariably portrays.
Point: this paper and the city are notoriously conservative, at best, if not decidedly racist and pessimistic. Mom thought it was insensitive that the cartoon mirrored a recent shooting at a busy park (that, I don’t want to say ironically, but … ironically had no witnesses).
Counterpoint: I am not concerned with who holds up the mirror if the image is accurate. I thought it was timely and to the point. A local businessman purportedly asked the cartoon’s creator, Ed Gamble, to clarify his motivation. Apparently Gamble had heard his grandchild repeating vile language from a rap song and was livid; he should have been.
Point: Gamble and parents have the unenviable responsibility to monitor this material and their children’s access to it.
Counterpoint: But, I think we all have a responsibility not to extol and sponsor the material or the lifestyle it encourages. And, I am just as concerned about the 60% or more of consumers of hip-hop and rap who are white males 18-34 who also play a part in this as I am about the black community itself. We have an opportunity to truly lead by example. It is illogical to tell my little brother that x,y, or z music is not the best thing for him to listen to if, while in his presence, that is exactly what I am listening to.
So, I asked my mom to evaluate where her feelings were being directed. Was this more like when I saw the movie “The Crucible” and was angry and swore it was the worse movie ever made, only to realize later that it was the situation and the injustice depicted that angered me? Or, did she genuinely think that this was a racist or insensitive cartoon by a white man in a predominantly white city that routinely votes republican and seems to be fine with the glaring segregation and socio-economic inequalities? Apparently it was the latter. The NAACP also thought so and the editor later admitted “using the word ‘ho’ was bad judgment.“
I searched high and low for the YouTube video I saw of a darling little black girl asking where her money was and what my M-F’in problem was. So, as long as I hear ‘Lil Wayne at two in the afternoon on the radio or on MTV, and I see youngsters with gold teeth or pop-lockin’ in videos where rappers are talking about what they want to do in a club and the “space” they want to fill, I won’t care who holds the mirror up to us. I am outraged at a culture that thinks Fiddy’s gun shots wounds are ok or that turns a blind eye. For me the cartoon illuminates a problem and sad truths that are the result of many things, and not just rap music; but that makes the cartoon no less relevant. What do you think?



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